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Super 8 Filmmaker John Porter, Toronto, Canada
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CineZine: Histories - Reviews - Opinions >PLEASURE DOME CRISIS 2018-2023 All Pleasure Dome Board Members, 1989-2023 Board of Directors
2023 In recent years, Pleasure Dome's Board of Directors postponed their Annual General Members Meetings (AGMs) and open elections of a new board, beyond the time required by law. Then each year they unilaterally appointed several new board members at once, before the postponed election, granting those new board members immediate incumbent status at the postponed election. Their illegal postponements got longer each year until 2022 when they held no AGM or election, but in January 2023 they appointed six new board members without an election. Seven of the eight current board members originally accepted appointments to the board instead of first running in an election which was overdue at the time. They've done this for years with no explanation given to their voting members-at-large. AGMs and open elections are required at a specific time every year by Pleasure Dome's own by-laws, and consequently Ontario corporate law and Pleasure Dome's government funders. APPOINTED JANUARY 2023, ELECTED APRIL 2023 APPOINTED MARCH 2019, ELECTED MAY 2019, APPOINTED AUGUST 2019, ELECTED AUGUST 2020, APPOINTED APRIL 2021, ELECTED OCTOBER 2021, RESIGNED
MID-TERM All Pleasure Dome Board Members, 1989-2023 Board of Directors
2021/2022 after After Pleasure Dome's AGM and election in October 2021
(delayed for 7 months), 3 Directors resigned mid-term. And their
by-laws required their next AGM and election be held by March
2022, but for the second consecutive year they cancelled it without
informing their voting members or giving their reasons, ignoring
the democratic process required by Ontario law and their government
funders. APPOINTED MARCH 2019, ELECTED MAY 2019, RE-ELECTED
OCTOBER 2021 APPOINTED AUGUST 2019, ELECTED AUGUST 2020 APPOINTED APRIL 2021, ELECTED OCTOBER 2021 ELECTED MARCH 2018, RE-ELECTED AUGUST 2020, RESIGNED
MID-TERM APPOINTED AUGUST 2019, ELECTED AUGUST 2020, RESIGNED
MID-TERM All Pleasure Dome Board Members, 1989-2022 Pleasure Dome Artists' Film Exhibition Group presents its Annual General Wednesday, October 6, 2021, 6pm Zoom Video Conference from Toronto ^^^ Board of Directors
2020/2021 after After Pleasure Dome's AGM and election in August 2020
(postponed for 5 months), 2 Directors resigned mid-term, leaving
6 Directors which is less than allowed by their by-laws. Their by-laws
also require their next AGM and election be held by March 2021,
but they cancelled it without informing their voting members
or giving their reasons. Instead of the election, they appointed
6 additional Directors which is more than allowed by their by-laws,
and ignored the democratic process required by Ontario law and
their government funders. They have followed this pattern for 2 years
in spite of protests at AGMs which are not mentioned in
their minutes. APPOINTED AUGUST 2017, ELECTED MARCH 2018, RE-ELECTED
AUGUST 2020 APPOINTED MARCH 2019, ELECTED MAY 2019 APPOINTED MARCH 2019, ELECTED MAY 2019, RESIGNED
MID-TERM APPOINTED AUGUST 2019, ELECTED AUGUST 2020 APPOINTED AUGUST 2019, ELECTED AUGUST 2020, RESIGNED
MID-TERM APPOINTED APRIL 2021 APPOINTED APRIL 2021, RESIGNED MID-TERM All Pleasure Dome Board Members, 1989-2022 ^^^ Board of Directors
2019/2020 after By the time of Pleasure Dome's AGM and election in May 2019, so many directors had resigned from the board, there were only 5 remaining, although a minimum of 7 is required by their by-laws, and nobody new ran for election or was nominated. Two months later, the surviving 4 board directors found and appointed 8 new directors (more than allowed) without calling a General Members Meeting or even informing the general members. Then 4 more directors resigned early in their terms, including the Treasurer. At the 2020 AGM and election, postponed 5 months until August, the remaining 8 board directors were confirmed, and one new nominee was voted down by the directors in spite of there being 3 board openings available. And since then 2 more directors have resigned mid-term, leaving 6 (less than allowed). APPOINTED AUGUST 2017, ELECTED MARCH 2018 APPOINTED MARCH 2019, ELECTED MAY 2019 APPOINTED MARCH 2019, ELECTED MAY 2019, RESIGNED
APRIL 2020 APPOINTED MARCH 2019, RESIGNED APRIL 2019 APPOINTED AUGUST 2019 APPOINTED AUGUST 2019, RESIGNED MID-TERM Board of Directors
2018/2019 Following Pleasure Dome's March 2018 election there were
11 board members, but 10 resigned in the middle of their 2-year term,
not fulfilling their commitment. APPOINTED AUGUST 2017, ELECTED MARCH 2018 ELECTED AUGUST 2016, RE-ELECTED MARCH 2018, RESIGNED
MID-TERM ELECTED APRIL 2017, RESIGNED MID-TERM ELECTED MARCH 2018, RESIGNED MID-TERM APPOINTED MARCH 2019, ELECTED MAY 2019 APPOINTED MARCH 2019, ELECTED MAY 2019 APPOINTED MARCH 2019, RESIGNED APRIL 2019 All Pleasure Dome Board Members, 1989-2022 Pleasure Dome Artists' Film Exhibition Group presents its Call for Board Members Submissions February 4 - March 15, 2021 Pleasure Dome, Unit C, 1411 Dufferin St., Toronto Pleasure Dome Artists' Film Exhibition Group presents its Annual General Meeting Wednesday, August 26, 2020, 6:30pm Zoom Video Conference from Toronto Pleasure Dome Artists' Film Exhibition Group presents its Annual General Meeting Thursday, May 30, 2019, 7pm-8:30pm, free! Dames Making Games Studio, 3rd floor, partial of email sent to members - May 1, 6:33pm Agenda 7:00pm - Call to Order 7:50pm - Election of Board of Directors. Directors voted in for a partial year by the Board, now standing for election for their first two-year term: Andrea Creamer, Lauren Fournier, Lindsay LeBlanc, Yunglin Wang. Directors mid-way through their first two-year term (do
not stand for election at this time): Director completing her first two-year term (may stand
for re-election at this time): 8:00pm - Other Business Adjournment PLEASURE
DOME STAFF ANNOUNCEMENT Pleasure Dome welcomes Theresa Slater, Operations and Development Manager. Pleasure Dome's board of directors is pleased to announce the appointment of our new Operations and Development Manager, Theresa Slater, effective October 1, 2018. She is an artist and writer who works with creative facilitation, ethical theory, new materialism, digital bodies, and the intersections of feminism and technology. She is an MA graduate of Contemporary Art, Design and New Media Art from OCAD University in Toronto, Canada. Theresa will be responsible for a range of operational support, including promotion and coordination of seasonal screenings and events, as well as liaising with the arts community. Reach out to Theresa with questions and comments: pleasuredomemanager@gmail.com. INTERIM
PLEASURE DOME STAFF Board Announces Succession Plan Pleasure Dome Welcomes Kami Chisholm, Pleasure Dome has announced the appointment of Kami Chisholm as the organization’s Interim Operations and Development Manager. Formerly the Treasurer of the Board of Directors, Chisholm has resigned from the Board after two years of service in order to assume a newly created leadership role that will steer the organization’s restructuring and succession plan. Chisholm is a queer, disabled, activist filmmaker and
arts curator who has been making films for more than 20 years, since
beginning her BA in Film Production and English from Loyola Marymount
University. She also holds a PhD in History of Consciousness and Feminist
Studies from the University of California, Santa Cruz, and a MFA in
Film Production from York University. Her most recently completed documentary,
Pride Denied (released in 2016 and distributed by Media Education Foundation
and Vtape), explores topics such as a homonationalism and pinkwashing
in the context of the 2014 World Pride festival in Toronto. Committed to a transparent succession plan in light of
its accountability to diverse makers and local artists, the organization
is now moving forward with an executive search. The job posting for
the Operations and Development Manager can be found here. “As we move forward in our search for the organization's Operations and Development Manager, Kami’s dedication and commitment to experimental media art and its unsung voices will be a tremendous asset,” says Board Chair Leslie Supnet. “Her leadership will provide strong continuity for the health and future of the organization.” CALL FOR
JOB APPLICATIONS Employment - Operations and Development
Manager Pleasure Dome (PD) is an artist-run exhibition collective dedicated to the presentation of artists film, video and experimental media. With a curatorial mandate to program time-based work from local, national and international artists, Pleasure Dome presents a variety of different genres, styles and traditions from those of the historical avant-garde to contemporary post-modern strategies of video/film mixes, and other attempts to re-imagine the modernist experimental tradition. In an effort to foster a diverse and inclusive screening environment which encourages attendance from as many sectors of the public as possible, Pleasure Dome screens innovative works in engaging and “expanded” presentations which include installation and other unconventional exhibition formats. Committed to year-round experimental media arts screening programs via expanded presentation forms, PD is seeking a dynamic, nimble, creative, organized and passionate candidate to contribute to PD’s success. Reporting directly to the Board of Directors, the ideal candidate will be joining a small team dedicated to fostering the best of experimental film and video — in all its classic and emerging forms, ranging from local to international — for our audiences. PD is at a critical junction in its 40 year history, and seeks a candidate that can help steer the organization into its next phase. PD is strongly committed to fostering diversity within our community. The organization is an equal opportunity employer and welcomes those who would contribute to furthering this mission, including, but not limited to: women, visible and invisible minorities, First Nations and Indigenous peoples, persons with disabilities, and persons across the spectrum of sexual orientation or gender identity. Should you require accommodation during the interview process, please let us know and we will work with you to meet your needs. As the Operations and Development Manager, you will provide a range of administrative and operational support including the implementation and maintenance of office procedures to facilitate day-to-day operations, bookkeeping and financial reporting, writing grants, coordinating the execution of seasonal screenings and events, organizing print traffic (film and digital media), and liaising with the local and international arts community. The Operations and Development Manager will also be responsible for managing social media, website and print materials to promote PD’s events throughout the year. The Operations and Development Manager is employed by and responsible to the Board of Directors of PD and will play a vital supporting role in upholding PD’s Mission and Vision. As the main contact of PD, you will maintain and foster relationships with artists, members, funders, sponsors, the Board, volunteers and the general public. RESPONSIBILITIES Grant Writing Finance Management and Legal Outreach and Public Relations QUALIFICATIONS To apply, candidates should submit a letter of interest and CV in one PDF document by July 5, 2018 at 5pm to HRpleasuredometo@gmail.com. Please reference “Operations and Development Manager” in the subject line. No phone calls or visits please. For further information on Pleasure Dome, please refer to our website: http://pdome.org/ BOARD OF DIRECTORS EMAIL TO COMMUNITY The following email was sent out January 19, 2018 from Pleasure Dome's account exactly as it appears below, with no formal greeting at the top or signature at the bottom. Pleasure Dome <pleasuredometo@gmail.com> Tom Taylor is leaving Pleasure Dome After more than 25 years working as the Program Co-ordinator of Pleasure Dome, Tom Taylor is leaving a position that is being eliminated. He was amongst the first paid employees of the artist-run centre, and oversaw its shape shiftings across the decades. Dedicated to a nomadic reframing of contemporary and historical media arts practices, Pleasure Dome has remained an industrious and puckish outsider, with a regularly shifting cast of board members who helmed up the programming, ensuring that new views and fresh voices could be entertained. Tom was an encouraging presence, helping to shepherd whims and daydreams into 400+ coherent programs since 1991, booking venues and finding ways to convert impossible technical requirements into savvy solutions. He was the co-editor of the landmark Lux: A decade of artists’ film and video, and oversaw numerous other publications, including Blueprint, Cinematic Folds, individual artist monographs and the forthcoming Sculpting Cinema. We wish Tom well with his new practices and projects. February 5, 2018 Dear Pleasure Dome Board of Directors, As members of Pleasure Dome's extended community including past board members, exhibited artists, and loyal fans, we are concerned about your sudden decision to eliminate the position of Program Co-ordinator, forcing the departure of Tom Taylor from that position after 26 years. The Board made this decision without having consulted the membership and only informed members in an email sent January 19, 2018 (see above), many months after its action. We feel that email was too late, insufficient, misleading, insensitive, and not accountable, being not addressed to any specific community and left unsigned by any person or group. Due to the Board’s failure to inform its members during the process of this action, we know only what we have heard second-hand, namely that Board members had been pursuing this action well before the Annual General Members Meeting in April 2017, during which no mention was made of any such plans for change. Moreover, nothing was mentioned on this at the public Community Meeting about Pleasure Dome’s future in January 2017. We are seeking transparency, however belated. We are calling for you to organize now another public Community Meeting, distinct from your upcoming AGM, to address this issue within 30 days, but with no fewer than 15 days notice given. An email should be sent to the same list as on January 19, and just as with both the 2017 Community Meeting and 2014 Public Conversation, this meeting should be public, posted prominently on your website, and a Facebook event created which allows comments to be posted. Thank you for your consideration, BOARD OF
DIRECTORS' REPLY TO Pleasure Dome's email reply to "Friends of Pleasure Dome" on February 12, 2018 and shared February 13 to the Facebook event: Community Meeting Notice. Dear Pleasure Dome members and community, Recently, the Pleasure Dome board received a letter from members of the community requesting a special meeting to discuss recent changes within the organization. We welcome this opportunity to update you on the status of the organization in recent years, as well as changes this and previous boards have enacted to address structural issues within the organization. Please join us for this community meeting on March 11 from 2-4 pm at CineCycle, 129 Spadina Avenue, Toronto, ON. In anticipation of this meeting, at which we will provide greater detail, we wish to take this opportunity to bring the community at large up to speed on some of the challenges the organization has faced in recent years that have spurred and necessitated the organizational restructuring undertaken by the board. The board has made most of these changes in response to new environments/demands on the part of the arts council agencies that primarily fund our organization. The board has also implemented key administrative improvements such as switching to a computerized accounting system, getting caught up with long overdue CRA obligations, amalgamation of updated bylaws, and computerized tracking of memberships, as well as continuing to write grants, create the seasonal programs, and restructure the budget in order to address the organization’s deficit. One of the most important changes enacted by the board has been to shift budgetary priorities from an administration-heavy budget to one that is more balanced. In particular, we want to put artists first. There are several ways we have strived to do this. Firstly, we wanted to increase artist fees, which we’ve already done. Artist fees have gone up by 30-60%, and we aim to increase this percentage. Our goal is to allocate at least 25% of our budget to the payment of artist fees (four years ago the percentage was less than 8%). This will likely be the highest percentage of any artist-run centre, festival, or cinematheque in the country. We would like to take IMAA (the national standard for media arts fees) at their word, that their fee schedules are recommended minimums. We are paying, whenever we can, well above those minimums. We would like to become the gold standard for artist fees paid in this country. We would also like to note that, for more than a decade, Pleasure Dome has paid more for its office than for artist fees. We feel that paying artists is more important than paying for an office. As such, one of the major changes/savings in our budget has been to end our office lease. Secondly, in our many conversations with artists, they tell us that technical support and good projection is important. We believe that film revisions, file format uniformity, equipment testing and projection are central to what we do. As you know, in the past this has been largely left up to volunteer board members, which worked out OK when there were artists on the board. But over the years Pleasure Dome has seen several board iterations with very few artists, and the suboptimal results speak for themselves. We believe that looking after and projecting artist’s media is work that should be valued and paid for. A big part of our restructuring of the organization, including staffing, has been to address the changing labour needs of the organization. Third, after years of institutional neglect, we wanted to turn our attentions to local artists. We feel that artists working here in Toronto are amongst the very best, and many have gone far too long without the attention they deserve. We have hosted many mini-retrospectives and reframings, and accompanied them with interviews and original writing. A few years ago there was a packed community meeting where artists protested the absence of local screen real estate. And of course they were right. This Pleasure Dome board has listened to those voices and responded. Fourth, diversity. It’s not just a word. We hope that Pleasure Dome will never again have an all-white board and staff. Diversity is an embodied frame of reference, a culture of understanding, an unpacking of old truths. We have the most diverse board in the history of the organization, and perhaps not coincidentally, have run the most diverse programming. This is not just an ethical decision, however, about how to run the organization, it is also a key factor that the councils are looking at when funding organizations today, and Pleasure Dome has received warnings from the councils in recent years to this effect. Gone are the days when entire seasons exhibited only white artists. We want our organization to reflect the city we live in. We intend to continue to implement diversity in our programming and at all levels of our organization, which means a commitment to diversity of approaches as well as artists, and further, to the dismantling of dominant discursive practices. Fifth, we believe that basic duties like looking after social media, which in other artist-run centres is run by the staff, should not be done by board volunteers, and changes to the structure of the organization have been made to lessen the large work burden currently placed on the shoulders of volunteer Pleasure Dome board members. We believe that print traffic, grant writing, venue contracts and negotiations, equipment wrangling and dealing with distributors are not activities that need to involve volunteers. This board has put in hundreds of volunteer hours - approximately 1200% more hours than those committed by board members on similar local organizations (as cited by our board chair, Christine Lucy Latimer, in a report delivered at the 2017 Annual General Meeting of members) - and we have done that to support and celebrate local makings. This has not been kept a secret! Please check out our programming calendars, or better yet, come on down to see our shows. We’re in the middle of a pretty hot season right now. Finally, many of you may be unaware that Pleasure Dome has been running increasing deficits. In the previous two years, as this board has worked as quickly as possible to make cuts to the organization’s spending to address this (including moving, then eliminating, the office), the deficit nonetheless grew to more than 15% of our overall budget (please see the board’s deficit reduction plan here: https://drive.google.com/file/d/1yCjENIODIqc-bNiQJMDOSAOJXO-dkQgo/view?usp=sharing). Along with issues of diversity and administration, this has resulted in Pleasure Dome losing our multi-year operational funding from both the Canada Council and Ontario Arts Council. It has also left us with over $9000 in cuts to our funding this year, a year in which most organizations are receiving large bonuses from the councils. Without realigning priorities and restructuring the organization, in one to two years there likely would not have been any organization left. Given the gravity of the situation we were forced to consider the possibility of shuttering the organization completely if restructuring wasn’t possible. We believe that our restructuring plan is, however, a much better solution than this alternative. We will be happy to discuss all this and more at our upcoming meetings. However, please keep in mind that we cannot and will not discuss anything related to human resources, including staffing decisions. As an employer, the Pleasure Dome board is required by labour law not to comment on the employment of current and past employees. We are, however, confident that the changes to the direction of Pleasure Dome that the board has made in recent years have been necessary and vital to the continued existence, health, and strength of the organization, and we look forward to involving you all in this ongoing process. Sincerely, The Pleasure Dome Board of Directors "DEFICIT PLAN BUDGET" ATTACHED: COMMUNITY
MEETING NOTICES Pleasure Dome's webpage posted February 9. COMMUNITY
MEETING NOTICE To all Pleasure Dome members, community members and artists – please join the Pleasure Dome Board of Directors in an open discussion about recent staffing and administrative changes at Pleasure Dome. This meeting will occur separately, and in advance of, Pleasure Dome’s Annual General Meeting (the announcement of which will be made later on in February). Prioritizing full transparency and clear, informative practices across platforms, this notice will be made available on the Pleasure Dome website, and a Facebook event will be created. Please distribute to your networks via these channels accordingly. Thank-you! Please note: the location of this meeting has been changed to a fully wheelchair accessible venue. There is a ramp to get into the building, an elevator to the 4th floor, and wheelchair accessible bathrooms on that floor. Facebook event page created by Pleasure Dome - February 9, 4pm Community Meeting Notice Pleasure Dome Community Meeting To all Pleasure Dome members, community members and artists - please join the Pleasure Dome Board of Directors in an open discussion about recent staffing and administrative changes at Pleasure Dome. This meeting will occur separately, and in advance of, Pleasure Dome's Annual General Meeting (the announcement of which will be made later on in February). Prioritizing full transparency and clear, informative practices across platforms, this notice will be made available on the Pleasure Dome website, and a Facebook event will be created. Please distribute to your networks via these channels accordingly. Thank-you! Please note: the location of this meeting has been changed to a fully wheelchair accessible venue. There is a ramp to get into the building, an elevator to the 4th floor, and wheelchair accessible bathrooms on that floor. 2018 FACEBOOK EVENT PAGE THREAD John Porter > Community Meeting Notice Lydia Oh > Community Meeting Notice Kami Chisholm John Porter > Community Meeting Notice Kami Chisholm Pleasure Dome John Porter > Community Meeting Notice Kami Chisholm John Porter Kami Chisholm Kami Chisholm Jennifer Chan > Community Meeting Notice John Porter Greg Woods replied · 4 replies Greg Woods John Porter Greg Woods John Porter Greg Woods Pleasure Dome shared a link to the event: Community Meeting Notice. These policies have been implemented solely to ensure the respectful and non-discriminatory treatment of all community members, not to stifle debate or hard discussions. We welcome all feedback, questions, and concerns around issues that the board is legally able to address with the public. Code of Conduct - Pleasure Dome Pleasure Dome email and webpage posted February 16. To Pleasure Dome Members: ANNUAL
GENERAL MEETING To all Pleasure Dome members in good standing, please join the Pleasure Dome Board of Directors in an open discussion about the current status and future direction of Pleasure Dome. Come with ideas for upcoming screenings and events and help us form the new Programming Collective, either by standing for election or simply by casting your vote. Your presence at the AGM is crucial to the democratic process of our non-profit artist-run organization. For those in attendance, light refreshments will be served. Note: you must be a member in good standing for a minimum of 10 days prior to the AGM in order to vote. If you joined anytime between March – December 2017, you will be required to present your paper Pleasure Dome membership card in order to vote or register a proxy. All members who have joined after January 1, 2018 will be listed in our new membership database. To join or renew your membership, visit http://pdome.org/membership/. If you are unable to attend, you can choose to vote by proxy. All proxies for this meeting must be received prior to March 16, 2018 at 6:00 pm. To designate a proxy, please fill out the form here. ** This location is fully is fully wheelchair accessible. There is a ramp to the entrance of the building. Once inside, there is a wheelchair accessible bathroom on the same level just outside the meeting room. 1. Call for Quorum; welcome statement by Chair – Christine Lucy Latimer 2. Motion to approve Annual General Meeting agenda – Christine Lucy Latimer 3. Brief review of 2017 AGM Minutes; Motion to approve
Minutes – Christine Lucy Latimer 4. Written report from the Board Chair – Christine Lucy Latimer 5. Review of Financial Statements & Auditor’s
Report for the Fiscal Year ending August 31, 2017; Motion to accept
Auditor’s Report & Appointment of the 2018/19 Auditor –
Leslie Supnet and Kami Chisholm 6. Proposed bylaw changes: click here to view the proposed changes. 7. Review of new policies for Board and Membership collective
governance (Code of Conduct, Anti-Harassment Policy, Diversity &
Inclusion Policy) – Christine Lucy Latimer 8. Review of current status of 2017/2018 Board of Directors. All directors are entitled to serve for two terms. Directors voted in for a partial year by the Board, Directors mid-way through their first two-year term Directors mid-way through their second two-year term Directors completing their first two-year term 9. Nomination and Election of the new Board of Directors/ Programming Collective for a two-year term starting March 18th, 2018 10. Motion to end meeting Board of
Directors 2017/2018 END OF 2-YEAR TERMS MIDDLE OF 2-YEAR TERMS END OF PART-YEAR TERMS All Pleasure Dome Board Members, 1989-2022 PREVIOUS PLEASURE
DOME Pleasure Dome presented its Board of Directors' Sunday, January 15, 2017, 2:30pm - 5pm 519 Community Centre, 519 Church St., Toronto A 9-month-long Facebook discussion, Oct 2013 to July
2014, Pleasure Dome presented A Public Conversation on CineCycle, behind 129 Spadina Ave., Toronto
A CRITICAL REPORT ON PLEASURE DOME I have been a voting member for many years, and I served on the Board of Directors 1992-94, of Pleasure Dome Artists' Film Exhibition Group of Ontario, which is a publicly-funded, artist-run, non-profit corporation operating in Toronto since 1989. Since 2016 different Pleasure Dome boards have made significant changes to the structure and operation of the organization without consulting or even informing the voting members-at-large, including at their Annual General Members Meetings (AGMs). In late 2017 the board eliminated Pleasure Dome's only staff position, Program Co-ordinator, which had been occupied for 26 years by Tom Taylor who was widely respected and appreciated by countless past board members and programmed artists. But the board had not consulted the voting members-at-large about their plan at two consecutive AGMs, or even informed the members until months after the deed was done. So in early 2018 I helped to organize a protest letter to the board signed by 13 past board members, and after I personally protested publicly, the board barred me from their events and membership, and commissioned a third-party investigation and report. The report was critical of both me and the board, but mostly critical of the board, with strong recommendations including that they be more transparent with, and work more closely with, the voting members-at-large. But they never informed the voting members about the existence of the report, it's recommendations, or what the board has done about them, if anything. It seems that the report was shelved. In recent years the Board of Directors has systematically postponed their Annual General Members Meetings (AGMs) and open elections of a new board (held online during the pandemic) beyond the time required by their own by-laws. Then they unilaterally appointed their own slate of new board members before each postponed election, granting those new board members immediate incumbent status at the election, where they are all elected. Those AGM postponements got longer each year until 2022 when they held no AGM or election, but instead appointed 6 new board members without the required election. Of the 24 board members since 2019, 16 originally accepted being appointed to the board instead of first running in an election which was overdue at the time. That includes 7 of the current 8 board members. They've done this for 5 years now with no explanation given to their voting members-at-large. When they announced those 2022 board appointments on Instagram, I commented, simply asking when the 2022 AGM and election was held, and that I, a member, hadn't heard about it, but they promptly removed my comment and blocked me from their Instagram account. And this year they barred me once again from being a member and attending AGMs, maybe because I objected to them making their AGMs so short that no time was allowed for discussion of motions being voted on. AGMs and open elections are required at a specific time every year by Pleasure Dome's own by-laws, and consequently by Ontario corporate law and Pleasure Dome's government funders. I think that manipulations and censorship combined with a lack of transparency and accountability at a publicly-funded, artist-run centre is disturbing, and it has been occurring at Pleasure Dome for several years. I ask Toronto film artists to join me in questioning Pleasure Dome's Board of Directors and their actions. John Porter, Toronto film artist since 1968.
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